28 - 29 June 2018 - Bourges


2nd Sampo Meetings


The Sampo Meetings offer a space for sharing and exchanging ideas for people interested in the musical instrument Sampo - musicians, composers, researchers, programmers or simply curious minds.

Sampo is an innovative instrument of the 21st century to increase the sonorities of any acoustic instrument. Independent of all musical aesthetics, Sampo adapts equally to improvisation, jazz, modern and contemporary music, providing access to the repertoire of mixed music.

This year, with the ReDi-Musix project (a network for distributing mixed music), the Meetings will be oriented towards pedagogy, with two concerts, a round table and debates. Representants of partner conservatories, as well as developers of Sampo, will be present to share their experience and debate with the public.

Logo des JIM 2014

The 2014 edition of « Les Journées d'Informatique Musicale » (Computer Music Days) will be held in Bourges from May 21 to 23, 2014. This event is organized by Musinfo association with the support of the national school of fine arts of Bourges and the university institute of technology of Bourges.

The Sound of Light and of the Invisible

Marseille - April 2-3 2014

The purpose of the seminar is to present the research in the field of auditory perception of data and of non sound phenomena - meteorology, cosmic particles, brain waves, etc. The focus is on the sonification of visual data in particular - color, space, light spectra. The first day of the seminar ends with a musical presentation at the planetarium of Marseille (50 meters from IMéRA).

International Symposium, July 8th 2012, MuSA 2012 - Karlsruhe (IMWI)

PlasmaThe visual perception of the human being allows us to "capture" the electromagnetic waves in a range of frequencies. The rest of the frequencies is therefore simply invisible for humans. In 2011 MUSINFO and the PIIM laboratory of Aix-Marseille University started a collaboration on the sonification of light and plasma spectra. Our first project, called Hearing the light, proposes the "transferring" of visual information from spectral analyse into audio information and thus gives us a new perspective and dimension for the perception of a physical phenomenon.

International symposium, Thursday, April 5th 2012, IRCAM

Instrumental music score is perfectly codified and the sound that results is known by the person who analyses, but the lack of a standardized coding in the case of mixed music creates numerous difficulties for analysis. These difficulties are due mainly to the fact that the electronic device is unknown, its access is complicated and it undergoes rapid and permanent changes with technological developments.

Symposium, April 19th 2008, le FIL, Saint-Etienne