Augmented instrument practice |
|
| Alexander Mihalic | |
Session 1 |
Session 2 |
| The Sampo: examples and presentation Signal processing: presentation of the effects Notation of electronics Working with a microphone |
Instrument/electronics balance Customizing the configuration Tips Adding effects in an existing score |
Performance and improvisation |
|
| Stéphane Orlando | |
Session 1 |
Session 2 |
| Improvising: organizing your thoughts in real time Exploration of the tools offered by the Sampo |
Constructing a discourse beyond the effect Electronics as a language element |
Mixed composition |
|
| Przemyslaw Scheller | |
Session 1 |
Session 2 |
| Why use electronics in music? Different types of electronic music - fixed media and live-electronics: pros and cons Sampo – the problems solver Different approaches to electronic music – categories with examples |
Possibilities and limits – a creative way to fight obstacles in music matter Composers' tactics – how to compose like a pro Sharing my own experience with working with Sampo |